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Saturday, April 12, 2003 Events

Wed, January 29, 2003 through Sat, April 12, 2003 on Tuesdays, Wednesdays, Thursdays, Fridays and Saturdays from 12:00 pm to 5:00 pm
Fashion and Transgression More...

USC Fisher Gallery (HAR)
Admission: Free

Fashion and Transgression is an exhibition of representations of the fashionable woman in Europe and the United States between 1900 and 1950.

Every day from Tue, September 17, 2002 through Sat, May 31, 2003 all day.
Paderewski: Portrait of a Musician More...

Alfred Newman Recital Hall (AHF)
Admission: Free

Artifacts and memorabilia chronicle the life and career of musician-statesman Ignacy Jan Paderewski.

Every day from Fri, February 7, 2003 through Fri, May 9, 2003 all day.
Charting the Here of There: French and American Poetry in Translation: Doheny Library Exhibitions More...

Doheny Memorial Library (DML)
Admission: Free

An exhibition illustrating the interplay and mutual influence of French and American poetry, beginning in the 19th century with the discovery of Edgar Allan Poe and Walt Whitman by French writers.

Every day from Sat, February 22, 2003 through Fri, May 30, 2003 from 8:00 am to 5:00 pm
Minhwa: Korean Folk Painting More...

Institute for Genetic Medicine
Admission: Free

The USC Institute for Genetic Medicine hosts an exhibition of local artists who have immersed themselves in the Minhwa traditional folk art form under the tutelage of Mihwa Merrill and Jennifer Suh.

Fri, March 7, 2003 through Wed, April 30, 2003 on Tuesdays, Wednesdays, Thursdays, Fridays and Saturdays from 10:00 am to 5:00 pm
Ruth Weisberg: Love, Sacred and Profane More...

Jack Rutberg Fine Arts Gallery
Admission: Free

"Love, Sacred and Profane" serves as the subject and title of an exhibition of paintings, drawings, and monotypes by USC School of Fine Arts' Dean Ruth Weisberg.

Every day from Tue, April 8, 2003 through Sat, April 12, 2003 from 12:00 pm to 6:00 pm
loggish ramifications by Dakota Witzenburg More...

F Space Gallery
Admission: Free

MFA candidate Witzenburg's site-specific wood sculptures use processes of production in an absurd or ironic fashion in creations, provoking the viewer to reconsider the objects everyone uses daily.

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