[Note 14]

Jeannene M. Przyblyski, "Moving Pictures: Photography, Narrative, and the Paris Commune of 1871," in Leo Charney and Vanessa R. Schwartz, eds., Cinema and the Invention of Modern Life (Berkeley, Calif., 1995), 269. For obvious reasons, practitioners of the anti-programmatic "new historicism" have been notoriously reluctant to set out an explicit program, but see Catherine Gallagher and Stephen Greenblatt, Practicing New Historicism (Chicago, 2000).