Selected Solo Exhibitions:
Nov-Dec 1992: The First Los Angeles Biennial, Fisher Gallery, Los Angeles, CA. Power and Water, collaborative installation with with Margaret Lazzari, USC Professor of Fine Arts.
Sep 1990: Forbes Gallery, Pittsburgh, PA. The Paintbrush Electric: Fourteen paintings executed with an industrial robot.
Selected Group Exhibitions:
Dec 1993: Fast Art for an Accelerated Culture, LA Art Fair, LA Convention Center.
Oct 1993: A New Sensation, Moscone Center, San Francisco, CA.
Sep-Oct 1993: Computer Influence, Downey Museum of Art, Downey, CA.
Aug 1993: Machine Culture, SIGGRAPH '93, Anaheim, CA. Data Mitt (Persona Dentata), interactive installation with Richard Wallace (NYU).
May-Aug 1993: Fusion '93, Pauline Hirsh Gallery, Los Angeles, CA. .
Sep 1992: Onyx Gallery, Los Angeles, CA.
Aug, 1992: Los Angeles Contemporary Exhibitions (LACE), Benefit, Los Angeles, CA. Collaboration with Sarah E. Gavlak.
Jul 1992: SIGGRAPH '92, Chicago, IL. Inter Caetera Divina, collaborative installation with Claudia Vera of the Chicago Art Institute.
Feb-June 1992: Computer Graphics State of the Art Show, at Nine German Universities. Touring show organized by the University of Wuppertal, including Offenbach, Braunschweig, Kassel, Karlsruhe, Stuttgart, Munich, Leipzig, Berlin and Hamburg.
Aug 1991: SIGGRAPH '91, Las Vegas Convention Center, NV.
Selected Performances:
Halloween 1990: de Cordova Museum, Boston, MA. Wrote and directed Immram, a performance piece questioning the nature of art when its physical component is dematerialized. The performance was transmitted live via slowscan television to Vancouver, Chicago, Baltimore, and Pittsburgh.
Selected Talks:
Nov 1993: Art Center College of Design , Pasadena, CA. Roundtable on New Media. With Richard Hertz, Steve Mamber, Peter Lunenfeld, Bart Kosko, Katherine Hayles, Jim Blinn, Amanda G. Blinn, Michael Noll, Joyce Cutler Shaw, and Tim Durfee.
June 1993: Academy of Media Arts, Cologne, Germany. Elektronische Malerei (Electronic Painting), With Jean Paul Longavesne, L'Ecole des Beaux Arts, Paris.
June 1993: Center for European Technoculture (CETEC), University of Paris IX, Paris, France. L'Ironie De L'Art Digital (The Irony of Digital Art).
April 1993:
EZTV/CyberSpace Gallery, Los Angeles, CA.
When the Newest Isn't the Best: Who Judges Computer Art and How,
With Peter Lunenfeld (UCLA/Art Center).
Selected Articles:
Summer 1994: Ken Goldberg and Richard Wallace. Data Dentata, Plazm, vol. 7.
Summer 1994: Ken Goldberg. Handmade Automation in Los Angeles (Review), Visions Art Quarterly.
May 1993: Ken Goldberg. Rationalizing the Irrational, Framework, The Journal of Images and Cultures, V 6(2), July 1993.
Selected Reviews:
June 1994: Louise Poissant. Painting Machines, TV Ontario.
Oct 1993: Peter Frank. Computer Art without Wizardry, Long Beach Press-Telgram.
Sept 1993: Patric Prince. Interacting with ``Machine Culture'', IEEE Computer Graphics and Applications, 13(5).
Summer 1993: Laurel Paley. Ken Goldberg, Margaret Lazzari, New Art Examiner.
Jan 1993: Collette Chattopadhyay. The Alternative Art Fair: LAX at LACE and USC's Fisher Gallery, ArtWeek, 24(2),January 21.
Dec 1992: Jennifer Jaskowiak. Bibliography/Power and Water, LAX Exhibition Catalog.
Dec 1992: Kevin Starr. Power and Water, LAX Exhibition Catalog.
Dec 1992:
Susan Kandel. `LAX': L.A. is Written All Over It, Los Angeles Times,
December 10.
Dec 1992: Peter Frank. Pick of the Week, Los Angeles Weekly, December 11.
Nov 1992: Carol Tucker. LAX at USC: Fisher Gallery Joins Countywide Art Collaboration, USC Transcript, November 16.
Jul 1992: Michael Haggerty. Robotic Painting: Art Creating Art, IEEE Computer Graphics and Applications, 12(6).
Sep 1990: Allison Durazzi. Ken Goldberg Links the Paintbrush with the Machine, The Tartan, September 6.
Revised 10 January 1995
goldberg@cs.usc.edu